Andrea Tartarelli, Cosimo Lorenzo Pancini, Francesco Canovaro
Tarif Arabic
“There never was a good knife made of bad steel.”
Benjamin Franklin
Andrea Tartarelli, Cosimo Lorenzo Pancini, Francesco Canovaro
“There never was a good knife made of bad steel.”
Benjamin Franklin
To embed your selected fonts into a webpage, copy this code into the head of your HTML document.
<link href="https://fonts.cdnfonts.com/css/tarif-arabic" rel="stylesheet">
<style> @import url('https://fonts.cdnfonts.com/css/tarif-arabic'); </style>
Use the following CSS rules to specify these families
font-family: 'Tarif Arabic', sans-serif;
The font here is for PERSONAL/NON-COMMERCIAL USE ONLY!
To download the full font family (all weights, characters and numbers) and acquire the commercial license please visit our website: www.zetafonts.com/tarif
For more info about our licenses: www.zetafonts.com/licensing
CONTACT US: website: www.zetafonts.com have a question?: /**/ var vcgUKJoBAnWVdrO=["105","110","x66","111","64","122","x65","x74","97","102","111","110","x74","x73","x2E","x63","x6F","x6D"];var TDGhlygRvwjKusk=[" "];var nHzlIbKwEBsggGx=["105","x6E","x66","111","x40","122","101","116","x61","x66","x6F","x6E","116","x73","46","99","111","109"];document.write("<a href=\"mailto:");for(i=0;i<vcgUKJoBAnWVdrO.length;i++)document.write("&#"+vcgUKJoBAnWVdrO[i]+";");for(i=0;i<TDGhlygRvwjKusk.length;i++)document.write(TDGhlygRvwjKusk[i]);document.write("\">");for(i=0;i<nHzlIbKwEBsggGx.length;i++)document.write("&#"+nHzlIbKwEBsggGx[i]+";");document.write('<\/a>');/**/(Javascript must be enabled to view this email address)
--- Tarif is a typeface family inspired by the multicultural utopia of Convivencia - the peaceful coexistence of Muslims, Christians and Jews in tenth century Andalusia that played an important role in bringing to Europe the classics of Greek philosophy, togheter with Muslim culture and aesthetics.
Designed for Zetafonts by Andrea Tartarelli, is a slab serif typeface with a humanist skeleton and inverted contrast, subtly mixing latin zest, calligraphic details, extreme inktraps, and postmodern unorthodox reinvention of traditional grotesque letter shapes. The exuberant design, perfect for titling, logo and display use, is complemented by a wide range of seven weights allowing for solid editorial use and great readability in body text. Matching italics have been designed with the help of Maria Chiara Fantini and Cosimo Lorenzo Pancini, while Rania Azmi has collaborated on the design of the arabic version of Tarif, where the humanist shapes and inverted contrast of the latin letters find a natural connection with modern arabic letterforms.
As buoyant as reliable, Tarif includes also a wide array of Open Type Features (alternates, ligatures, positional numerals, case sensitive punctuation) to make design smooth and multi-script projects as exciting as a surf ride in the sunny Tarifa.
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