Francesco Canovaro, Mariachiara Fantini, Andrea Tartarelli
Bogart Trial
“The key to transforming our hearts and minds is to have an understanding of how our thoughts and emotions work.”
Dalai Lama
Francesco Canovaro, Mariachiara Fantini, Andrea Tartarelli
“The key to transforming our hearts and minds is to have an understanding of how our thoughts and emotions work.”
Dalai Lama
Seçili yazı tiplerini bir web sayfasına gömmek için bu kodu HTML kodlarınızın başına ekleyin.
<link href="https://fonts.cdnfonts.com/css/bogart-trial" rel="stylesheet">
<style> @import url('https://fonts.cdnfonts.com/css/bogart-trial'); </style>
Bu yazı tipi ailesini kullanmak için aşağıdaki CSS kurallarını kullanın
font-family: 'Bogart Trial', sans-serif;
The font here is for PERSONAL/NON-COMMERCIAL USE ONLY!
To download the full font family (all weights, glyphs and numbers) and acquire the commercial license please visit our website: https://www.zetafonts.com/bogart
For more info about our licenses: https://www.zetafonts.com/licensing
CONTACT US: website: https://www.zetafonts.com have a question?: [email protected]
--- Bogart has been designed in 2020 by Francesco Canovaro as a personal homage to the iconic look of low-contrast old-style fat faces, like Cooper Black (Oswald Bruce Cooper, 1922) and Goudy Heavy Face (Frederic W. Goudy and Sol Hess, 1925-1932). Originating from the modern old style of Bookman, these muddy, goopy shapes found their pop culture iconic status thanks to rub-on transfers and phototypesetting systems in the 1960s and 1970s. Positively bursting with hippie energy and exuberant vitality, they often included an extensive repertoire of swash characters, bridging the space between lettering and typography.
In researching these shapes, Canovaro decided to include also the influence of another idiosyncratic american old style typeface, Windsor, quoting its sloping shapes and quirky solutions, and expanding the weight range of Bogart to include a selection of display light weights where the muddy shapes of the heavy weights distill into elegant teardrop terminals. All the nine weights of Bogart, as well the matching true italics forms, feature an extended charset of over 1600 glyphs, covering 219 languages using latin, cyrillic and greek alphabets, and sporting a complete set of Open type features including alternate forms, discretionary ligatures, small capitals, stylistic sets, positional numbers, case-sensitive, terminal and initial swash forms. To add flexibility for editorial usage, a text-oriented Bogart Alternate set of nine weights was added to the family keeping the design more similar to its modern old style model and allowing for a heavy readable mid-weight range. More...
Hollywood icon Humphrey Bogart, famously said: "things are never so bad they can't be made worse.". This typeface was named after him, aiming at a way to embody the moody spirit of vintage typography, from film noir aesthetics, to the pop culture reference, from joyous swash titling and logo design to strict, balanced text typesetting. Because "typefaces are never so good that they can't be made better".
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